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Since its introduction to Scotland at the end of the
seventeenth century, the violin – often under the name given to older bowed
instruments, i.e. fiddle – has been central to the music of Scotland, from the
Scandinavian-influenced Orkney and Shetland islands, through the wild dances
and mournful airs of the Gaelic Highlands, to the ballrooms and performance
halls of the cities, through the Scots lowlands and borders. The music composed
for fiddle ranges from the simple anonymous folk tune to the refined
composition of one ofScotland’s
great 18th and 19th century composers, through the modern
syncopated influences of today’s musicians.
Scottish Fiddling is thus a living tradition, steeped in the
past, existing in the present, and anticipating the future. It draws influences
from, and influences in return, song the other great instrumental traditions of
Scotland,
such as harp and bagpipe. Scottish fiddle music is also unique in the Scottish
arts in how it was influenced by Continental music traditions, and how its
sounds and rhythms have formed much of the foundation of the fiddle music of
theNew World.
The Scottish Fiddling Tent represents all aspects of this
living tradition, from the judge’s instruction, where style points are discussed,
to the fiddle competition, where today’s fiddlers are encouraged to achieve
their highest potential, to the many concerts and performances showcasing this
area’s rich and deep pool of talent on the Scottish fiddle and the instruments
that accompany it.
Scottish Fiddle Competition:
Come hear the best young (and not so young) aspiring
fiddlers in a contest of skill and musicianship at the fiddle contest. Broken
into Junior Novice, Novice, Junior (under 17), and Open categories, the full
competition set includes a slow air, then a pause, followed by a medley made up
of a march, a Strathspey, and a reel. Contestants are judged on technique,
faithfulness to the Scottish idiom, and expression. After the competition,
stick around while the judge’s decision is considered and listen to an
impromptu jam session hosted by the competitors!
Registration can be through the VSG website; just download
the form and email it to the fiddle chair, Peter Walker (boghadubh@gmail.com), or to the address
on the form. Same-day registration is offered until the contest commences. Your
paid ticket to the games is your registration fee. More information about the
requirements of the contest, such as tunes and etiquette, can be found at
Scottish Fiddling Revival’s (SFIRE) website, http://www.scottishfiddling.org, in
the “Competition Info” section.
Potomac
Valley Scottish Fiddle
Club:
http://www.peatandbarley.com/pvsfc.html
Made up of musicians at all levels, all walks of life, and
many instruments (though mostly fiddle), the Potomac Valley Scottish Fiddle
Club is a great place to learn about and share the traditional fiddle music ofScotland. Just finishing its fifteenth year, the club
meets once a month from October to May, enjoying a workshop taught by Music
Director Elke Baker, followed by a potluck dinner and a jam session. The club performs locally at several events
each year, and the Virginia Scottish Games is pleased to be one of these. The club also puts on Scottish Country Dances
and dance demonstrations with theNorthern Virginia
branch of the RSCDS. Many of the other musicians you will hear in the Fiddle
Tent are members!
Elke Baker, 2005U.S. National Scottish Fiddle
Champion:
http://www.elkebaker.com/
A
long-standing tradition at the Virginia Scottish Games is a command performance
given by Elke Baker, champion fiddler and musical director of the Potomac
Valley Scottish Fiddle Club. Elke brings her incomparable skill, energy, and
knowledge to her performances. Just try not tapping your feet or clapping your
hands! |